Code:ART Festival
Code:ART 2025
Code:ART 2025 is a free, interactive media art festival that transforms downtown Palo Alto into a vibrant hub of light, sound, and imagination from October 16–25, 2025. Presented by the City of Palo Alto Public Art Program, the festival launches with five site-specific installations from October 16–18, including a centerpiece at Lytton Plaza and four hands-on art experiences where visitors can meet the artists. Code:ART 2025 invites you to explore, play, and connect through bold public art that reflects Palo Alto’s spirit of creativity and innovation!
3D Projection Mapping Artworks
Each night from October 16–25, the Palo Alto City Hall façade will come alive with a stunning 8-story projection show by three world-renowned 3D projection mapping artists:
Jeff Dobrow, USA
Yann N'guema, Anima Lux Studio, France
Alessio Cassaro, Antaless Visual Design, Italy

Rendering of { tempest } by artist Jeff Dobrow.
Installation Site: Palo Alto City Hall, King Plaza, 250 Hamilton Avenue, Palo Alto, CA.
Lytton Plaza Installation

Grove is an immersive sculptural environment that reveals the hidden world beneath our feet. Inspired by the subterranean mycelium systems that connect trees, enabling them to communicate and share nutrients, this installation brings that unseen network to light. Here, twenty-three columns of light converge into a single, branching structure that soars into the sky. Responding to people engaging with Grove within its roots, waves of shifting color pulse through the arches, transforming the space into a luminous, cathedral-like environment. Grove is a place for community, exploration, and play—a monument to the vibrancy of interconnectivity.
Pneuhaus, comprised of Levi Bedall, August (Augie) Lehrecke, and Matthew (Matt) Muller, is an art and design collective specializing in spatial design, temporary structures, and contemporary art. Pneuhaus' expertise lies in pneumatics, seamlessly merging air and textiles through both physical and digital technologies to create immersive experiences. By playfully transforming public spaces, we invite visitors into sensory-rich environments that spark wonder and shared discovery. Rooted in the principles of physics, biology, and craftsmanship, our work draws inspiration from nature, blending form and function with creativity and delight.
Installation Site: Lytton Plaza, 200 University Avenue, Palo Alto, CA.
Urban Interventions
Four Urban Intervention installations by local, national, and international artists will be installed in downtown Palo Alto, reimagining downtown plazas, alleys, and public spaces in new and inventive ways. These interventions include dynamic projections, immersive installations, responsive sound, light, and game-based experiences.
GLOW LANE by Shagun Singh
Glow Lane is an interactive light installation that transforms a narrow alley into a glowing, responsive passageway. As people walk through, motion sensors trigger the lights to pulse and shift colors—soft blues and greens for slow movement and warmer reds and pinks when there’s more energy. The lighting is designed to respond to the presence and pace of passersby, turning a simple walk into a playful, ever-changing experience.
Glow Lane reimagines an underutilized space as a place of curiosity and connection. Normally, just a shortcut becomes a moment of surprise, wonder, and interaction. It’s part public art, part urban intervention, bringing light, life, and a bit of magic to the city's in-between spaces.
Shagun Singh is a designer, researcher, and public artist based in Long Island, NY. She is the founder of Urban Matter, a public art studio that creates large-scale, light-based installations to transform overlooked urban spaces into sites of connection and reflection. Drawing from her background in architecture and civic design, Shagun collaborates closely with communities to make the invisible visible—whether it’s air pollution, cultural memory, or emotional resilience. She also runs Science of Art, a newsletter that shares sustainable strategies for artists to thrive creatively and financially. With deep experience in participatory design, public commissions, and alternative economic models, she supports artists in building lives of integrity, impact, and interdependence.
Installation Site: 536 Emerson St, Palo Alto, CA.

Installation conceptual rendering by Shagun Singh
TIME STRETCHED THIN by Joshua Miller
Time Stretched Thin invites participants to connect with the present moment, offering a playful yet thought-provoking exploration of time. This piece isn’t just meant to be seen—it’s meant to be experienced, leaving viewers with a sense of wonder and a fresh perspective on the fleeting moments we share.
Imagine light as your brush and the darkness before you as your canvas! Experience this interactive installation and start creating by stepping in front of a camera, where a slit-scan algorithm will capture your movements, and dramatically transform them by stretching and compressing them over time. The result is a fluid, ever-evolving tapestry of light and motion, projected onto a large screen for all to see. With every movement, bright, flowing ribbons emerge — blending dance and painting into a single, luminous expression where time itself becomes the medium.
Josh Miller’s teaching and professional creative practice operate at the intersection of art, design, and software development. He develops interactive installations and user-focused online experiences, exhibiting his work both locally and internationally. Josh has exhibited interactive installations in the Agrikultura exhibition in Malmo Sweden, the InLight festival in Richmond VA, and at Dlectricity, Detroit, MI. Josh has exhibited Sound the Deep Waters at the Mad Arts Immersive Arts Museum, IGNITE Broward, Napa Lighted Arts Festival, on the Manhattan Bridge as part of the DUMBO Projection Project, at Canal Convergence in Scottsdale Arizona, and for a 2 month exhibition at Oblrich Botanical Garden’s GLEAM festival in Madison Wisconsin. In 2024 Miller exhibited work at MAD Arts Museum in Miami, Napa Lighted Arts Festival, LUMA festival in Binghamton, Night Light Victoria Park in Alberta Canada, and at Lilu in Lucern Switzerland.
Installation site: 555 Ramona St, Palo Alto, CA.

SCREAMATON by Antonin Fourneau & Manuel Braun
Screamaton reimagines the traditional photo booth as an interactive exploration of human expression and emotional release. Instead of posing for a conventional photograph, participants engage in a cathartic act of screaming into a void, their vocal energy illuminating a digital LED gauge. As the intensity builds to its peak, a hidden camera captures a fleeting moment of raw, visceral release. This performative interaction challenges participants to confront their own boundaries, transforming a simple act into a powerful expression of personal liberation and pure euphoria.
Antonin Fourneau is a digital artist based in Marseille, drawing inspiration from diverse cultures and popular practices. These ingenious and original creations focus on the interactions between the history of technologies, games, light, sound and cinema. Antonin’s work takes different forms: installations, attractions, objects and events.
Manuel Braun is a French-Swiss photographer known for his sensitive portraits of artists, writers, and public figures. His work explores identity and human emotion through a refined use of light and composition.
Installation site: 339 University Ave, Palo Alto, CA.

ICELINE by Oona Stern
Iceline captures the Arctic Ocean at the threshold between above and below water, offering a portal into the intricate beauty of a dynamic and ever-changing environment. Filmed in Liefdefjorden, Svalbard, the video reveals a sea teeming with ice debris—fragments that break away from the crumbling terminal face of the Monacobreen tidewater glacier, drifting toward the open ocean to melt. This journey reflects the natural cycles of water while simultaneously exposing the effects of climate change —melting polar ice caps, rising sea levels, and the increasing frequency of extreme weather. Iceline showcases these effects, while addressing the relationship of people to natural phenomena.
The video is interactive, responding to the presence and movement of viewers to shape the narrative. When viewers are absent or scattered throughout the space, the ice moves rapidly, accompanied by a dissonant soundscape. However, when they gather in a defined location, the visuals slow, and the audio becomes calm and harmonious. The message is clear: collective action influences the environment, just as human cooperation shapes natural processes.
Oona Stern is a visual artist whose installations serve as a backdrop to daily life, drawing attention to the cultural habits that shape our environment. Her work fosters a dynamic dialogue between drawing, architecture, and nature. Using a diverse range of materials—including advertising posters, carpeting, neon, drawing, and photography—she bridges the gap between nature and culture, bringing elements of the outdoors, both organic and symbolic, into urban and private spaces. In collaboration with composer and sound artist Cheryl Leonard, her multimedia projects explore the natural environment, offering insights into the unique characteristics of often remote regions.
Creator - Oona Stern
Director, Video - Oona Stern
Composer, Audio - Cheryl E Leonard
Software - Jesse Johnson
Installation site: Lane 20 & Florence St, Palo Alto, CA.

Contact the Palo Alto Public Art Program with any questions. Sign up to our monthly newsletter and stay connected on Instagram and Facebook. If you are interested in sponsoring or supporting Code:ART 2025, contact Public Art Program Director Elise DeMarzo by email.
Code:ART 2025 Festival Programming
Got programming you think would fit the Code:ART 2025 Festival? Submit your application:
Code:ART Programming Application Form