Main Stage and Summer Hot Dog Series Production Auditions

Open to Ages 8 - High School

There are no age exceptions. Please do not attend auditions if your participant will not turn 8 before the first day of rehearsals.

Attend one day of auditions + call backs (all auditioners). For the initial audition, arrive between 3:45 and 5:15 p.m. to sign up to audition on a first-arrived-first-seen basis. There will be an optional information meeting for participants and parents/caregivers held at 4 p.m. Be sure to read all audition information carefully, including the “Additional Information” section.

Main Stage Season: Madeline's Christmas

  • Audition Dates:  Attend September 29 OR 30
  • Callbacks: October 4 at 11 a.m. (will last approximately 2 hours)
  • First Rehearsal: October 7
  • No rehearsals: November 24 - 30
  • No-Conflict Period: November 10 – December 24
  • Performances: December 4 – 21

Main Stage Season: Roald Dahl's Matilda

  • Audition Dates:  Attend February 23 OR 24
  • Callbacks: February 28 at time TBD (will last approximately 2 hours)
  • First Rehearsal: March 3
  • No-Conflict Period: April 13 – May 17
  • Performances: April 30 – May 17

Additional Information

Where are Auditions?

Auditions are held at Palo Alto Children’s Theatre, part of the Lucie Stern Community Theatre, 1305 Middlefield Road, Palo Alto, CA.

The theatre is located between the Boy Scouts and the Children's Library.

You can also enter the Community Center from Harriet Street, via the alleyway to the left of the Palo Alto Children's Library at 276 Harriet St, Palo Alto, CA.

What To Prepare for Auditions?

Prepare a one minute monologue and 32 bars or up to one minute of a song.

Don’t be intimidated by the audition requirements!

If your participant doesn’t have a monologue (a short speech from a play, movie or even a novel), they will be given something to read. Participants are also welcome to try one of the sample monologues that we have listed below and the Children’s Library also has monologue books that your family can check out!

For the song, bringing sheet music is preferred, but if your participant does not have a song with sheet music prepared, they can sing anything familiar, such as “Happy Birthday” or “Twinkle Twinkle Little Star.”

Sample Monologues

Magic Mirror
I really don't like the Wicked Queen at all! Every day, she asks me who's the fairest of them all, and it gets so boring. I'm a Magic Mirror! There's no limit to the questions she could ask. I could practically be running the Kingdom, but all she wants to know is whether she is still the fairest of them all. Yawn! I mean, why can't she just be nice and fair?  Honestly, if she spent as much time being kind as she does staring at me, she'd already be the fairest of them all by now!

Mad Hatter
The tea party was quite a spectacle, let me tell you! Alice, dear Alice, was a bit of a puzzle, but not quite the fun kind. She plopped down without an invite, started asking all sorts of questions, and didn’t even appreciate our unbirthday song! Honestly, she was so serious, like she’d never seen a talking hat before. She even interrupted my riddle! I mean, who does that? I thought it was a perfectly delightful riddle, too. Maybe next time she’ll bring a sense of humor along with her curiosity, or at least a better appreciation for riddles and tea!

Cowardly Lion
I'm so glad you called me out on being a bully! When I first roared at you, I was just trying to hide how scared I really was. Honestly, sometimes I think if I roared loud enough, I could scare my own shadow away. It turns out, it’s much easier to make friends when you're not trying to run them off like they’re a pack of wild mice! Thank you - oh, thank you so very much! - for taking me along with you to see the Wizard. With new friends by my side, I feel a little braver already, and who knows, maybe the Wizard will give me the courage I’ve been looking for!

Little Bird
Gentle girl, with eyes so kind, 
You found me here, where I’ve stayed behind. 
The others have soared, on wings so free, 
Yet here I linger, beneath the old oak tree. 
The sky calls to me with its endless blue, 
But fear holds me back from what I long to do. 
My siblings dance on the wind up high, 
While I watch in wonder and quietly sigh. 
I’m the last little bird, in our nest so small, 
Afraid to leap, afraid to fall. 
Your presence, dear girl, is a soothing balm, 
A gentle whisper, a promise of calm. 
I dream of the day when courage will stir, 
And I’ll join the sky in a joyful blur. 
For now, your kindness is a precious thing, 
A friend to a bird who’s yet to take wing.

Lost Sock
The horror! I tumble out of the dryer alone, and now I’m a solo sock in a world built for pairs. You know what they say: two’s company, one’s... well, a dust rag! What if I end up in the lonely drawer of mismatched socks, never to warm a foot again? It would be one thing if I was headed to star in a puppet show, but that almost never happens any more. If you see my mate, tell them I’m right here, hanging by a thread, hoping for a reunion before I’m turned into a dust rag under the kitchen sink!

Additional Information Needed at Auditions?

Parents should accompany their participant to the audition sign-up table, so that they can fill out basic contact information and the audition form. If participants arrive on their own, be sure that they can provide their name, age, parent/guardian’s name, phone and email address.

Conflict/Scheduling forms will be sent home at auditions to be returned at callbacks. Please provide accurate details on the conflict forms. Only conflicts written on the forms will be honored during rehearsal scheduling. If too many additional conflicts arise, it may result in the participant being dismissed from the production.

What if I Can’t Attend Auditions or Callbacks?

While attending auditions and callbacks are strongly encouraged to have the best chance of being cast and to gain the most from the learning experience, if you cannot make either day or auditions and/or callbacks, please email Stage.Manager@paloalto.gov. All forms can be provided electronically and will still need to be filled out in advance of auditions and callbacks in order to be considered.

How Does Casting Work?

It depends on the production; we try to have as large of a cast as the script can allow.

We do not double cast roles in Main Stage, Playhouse or Summer Hot Dog Productions (one participant per role). For Main Stage, Playhouse or Summer Hot Dog Productions, not everyone who auditions will be cast, but we encourage participants to come back to future auditions.

When will Casting be Announced?

“Company Lists” (the list of participants who are cast) will be posted outside the theatre after 5 p.m. the day immediately following callbacks. Roles are not included on the Company List - they are assigned on the first day of rehearsals. For online access to the Company List (usually the first place the list is posted), we suggest joining the Palo Alto Children's Theatre Parents Facebook Group. Company Lists will also be e-mailed out to all auditionees on Mondays following auditions, usually in the early afternoon. If your participant is cast, you will also receive a “more information” email on Monday.

When are Rehearsals?

Usually, rehearsals are held after school in the afternoons/evenings plus possible weekend mornings or afternoons. During the final weeks of rehearsal, most participants will be called every day, and rehearsals may go a little later (until 8 or 8:30 p.m. sometimes) and may include weekend evenings, as well.

How Often are Participants Called to Rehearsal?

Schedules vary depending on a variety of factors, including size of role and rehearsal plan, but participants should generally be available for at least 2-3 days a week plus possible weekend days before the no conflict period in order to audition.

What is the No Conflict Period?

The No Conflict Period is the window of time during which no conflicts will be excused, and attendance at every rehearsal or performance is mandatory. If conflicts arise during this period, participants will have to be dismissed from the production.

 

When are Performances?

Main Stage Schedule: Thursdays at 6 p.m., Fridays at 7 p.m., Saturdays at 2 p.m. and 6 p.m. and Sundays at 2 p.m. 

Summer Hot Dog Schedule: Wednesday - Sunday at 6:30 p.m. in June and July and at 6:00 p.m. in September.

Participants are usually called to the theatre 90 minutes prior to the performance start time. Note: Pre-performance call times are considered part of the no-conflict period. On week days, if the participant’s school release time will conflict with the call time, please email stage.manager@paloalto.gov to let the production team know this prior to casting.

Questions or Cannot Attend the Audition Dates?

Private Coaching Sessions

In a 3-session series of private coaching with a Children's Theatre Teaching Artist, participants will work on character development, and audition and acting techniques, including preparation of a monologue for a future audition. Open to Age 8+ | Three 45–Minute Sessions | 1:1 Coaching.

Residents: $225  |  Non-Residents: $258.75

To request scheduling of a series of private sessions, email childrens.theatre@paloalto.gov. (Subject to availability.)